Riccardo Tisci is in a thinking mood. Pre-fall, men's, and now his Couture company believe found him looking back over his first seven years at Givenchy also reworking familiar pieces duck what he described through a heavier maturity. "To me, the document of a successful designer is having an identity," he said, citing Miuccia Prada, Donatella Versace, and Lagerfeld's Chanel. We'd gab that Tisci more than qualifies. Unconventional tailoring was the protagonist of the break through. A boxy, boyish blazer fictional from money metal that was mellow sans pants in that a dress had serious sex right. Same goes for a luxe jacket constructed from alternating strips of black mink and chain mail. They both gave off heat. Wang's runway was faux marble, and it became single of the show's ongoing tropes—a paean, apparently, to the sculptural temperament of Cristóbal Balenciaga's clothes, not to mention the monolithic goodie. A marble print first showed up as the packing of elegant tops that spilled open at the back, thereupon as a motif on a bullion-embroidered clothing and tailleurs being elaborately embellished as couture, besides finally being intarsias on looks that felt the most redolent of Wang's concede house style: tiny shaved fox jackets worn with high-waisted velvet meshwork pants. Shoes with abysmal toe cleavage also hot poop T-straps also reproduced the pattern. Those heels looked a little clumsy, but his sans pareil bag, a box clutch with a silver frame handle, was supplementary promising.
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